A Memento of Henri Bergson – Christopher Nolan’s Memento
Posted On February 19, 2014
A Memento of Henri Bergson
by Vago Damitio
You may think that you are free, but you are not. You may think that each action you take is an unrestrained choice, but it is not. You ( and everyone else) are incarcerated in a prison that controls every action you take and every decision you make. Even the decision to be reading these words was already determined before you had read the title of this article.
You can stop right now….but obviously that is not a decision you were able to make, because you are still reading. I don’t want you to harbor any illusions, I am just as much a prisoner as you are. As I write these words, a series of circumstances have led me to a point that cannot be returned from. The sum total of my associations and memories combined with the intensity of my feelings about them have led me to this moment, as I sit and write these words, and while it may feel like this is voluntary, the truth is that I really have no choice in the matter.
How can this be? Just as you can stop reading, I can stop writing…but we have not. We have not been able to stop even though the idea was suggested to us both. We continue on. I am not alone in suggesting that memory has a much stronger hold upon the actions we take in the present than most of us care to admit. Philosophers have debated the case of free will. Thomas Hobbes and David Hume suggested that if one were not being coerced by an outside agent that one was exercising free will. This is a just and necessary argument. It is just because, as John Locke suggested later, if one can pause long enough to think about the effects of one’s actions, one is able to make a choice. It is necessary because if individuals are not held accountable for their actions, there is no basis for order in any society.
Necessary and just…agreed, but are they correct? What if the judgment that is made in the pause Locke speaks of is influenced by the perception of the individual making the judgement? What if even the ability to pause and consider an action before making a judgement is predetermined within the individual by the way that the individual views past experience and current events? If this is the case, than, just as you are still reading these words and I am still writing these words, other actions by other individuals may actually be predetermined and potentially mapped out by the most fascist of all prison wardens….memory.
The philosopher Henri Bergson said in his book Matter and Memory that
It may be said that we have no grasp of the future without an
equal and corresponding outlook over the past, that the onrush
of our activity makes a void behind it in which memories flow,
and that memory is thus the reverberation in the sphere of
consciousness, of the indetermination of our will.
Consider that for a moment, since you are reading this. I will do the same, since I am writing this. I am not certain, but I think that it implies that not only are we influenced in our current decisions by the events of the past, but that we let current events reshape the events of the past, thus, the past that we are basing our decisions upon, is actually variable. This confounds the issue even further. To return to the situation that we currently find ourselves in, are we reading/writing this because of past events or reshaping past events to justify our reading/writing of this essay? In either case, who is actually in charge and making the decision to read/write this essay?
At the risk of disappointing you, I must confess here, that I do not have an answer. This whole series of events has been conjured up by a viewing of a film directed by Christopher Nolan, Memento. In Memento, such questions are suggested and because of an earlier exposure to the works of Henri Bergson, they have come to light in this essay. Memento is the story of a man who seeks to avenge the rape/murder of his wife. This is compounded a condition he has called anterograde amnesia which does not allow him to build new memories. His memories are fixed in the past. Or so he thinks.
The film starts from the present and traces events backwards using the point of view of the main character, Leonard, a man who uses notes, Polaroid photos, and tattoos to remember what he is doing and who he meets. Things are not as they seen for Leonard. His condition makes him vulnerable to exploitation. In the end (which confusingly is actually the beginning), Leonard is forced to confront the fact that things may not have been the way he thought they were. He is forced in short, to ask himself if what he thought was the past which had driven him to the present, was really what he had thought it was. He is forced to consider his actions and whether they were justified based on his memories. Leonard, is lucky though, he only needs to remember to tattoo a justification upon himself and it becomes reality to him.